New York Times Shares Spike After It Reports Q1 Boost In Digital Subs
Wall Street’s expectations game worked in favor of the New York Times Co. today: Shares are up 12.6% in afternoon trading after the publisher surprised investors with a Q1 report that exceeded their...
View Article‘American Gods’ VFX Gurus On Producing 3,000 Shots In 18 Months
If you ask visual effects designer Kevin Tod Haug and visual effects supervisor David Stump—who also works in a related craft, as a visual effects cinematographer—visual effects in TV tend to be...
View Article‘The Handmaid’s Tale’ And ‘Westworld’ Costume Designer Ane Crabtree: Dystopia...
The opportunity to design costumes for Hulu’s dystopian drama series The Handmaid’s Tale—based on the 1985 novel by Margaret Atwood, and created by Bruce Miller (The 100)—was a full-circle moment for...
View ArticleProduction Designer Devorah Herbert’s Designs On ‘Grace And Frankie’ And A...
If you ever feel homesick, Netflix’s Golden Globe and Emmy-nominated original series Grace and Frankie may be one of the quickest shortcuts to feeling right at home. Featuring an excellent ensemble of...
View Article‘Legion’ Cinematographer Dana Gonzales Discusses The Visual Influence Of The...
A two-time Emmy nominee, winning last year for his work on Fargo, cinematographer Dana Gonzales shouldn’t be lacking for work anytime soon, if his last few years are any indicator. A close collaborator...
View ArticleDeadline’s Crew Call Podcast: ‘Better Call Saul’ Composer Dave Porter On...
Some music scores can completely take over a scene, however Dave Porter has a different approach when it comes to aurally painting characters’ emotions and exchanges, especially in Vince Gilligan’s...
View ArticleHow Edgar Wright & Sound Guru Julian Slater Turned Car Heist Pic ‘Baby...
In our first Crew Call podcast of awards season, we sit down with Baby Driver director Edgar Wright and his supervising Sound Editor/Sound Designer Julian Slater to discuss how they made the director’s...
View ArticleHow Production Designer Dennis Gassner Went Back To The Future With ‘Blade...
Thirty-five years later the Oscar-nominated production design by Lawrence G. Paull, David L. Snyder and Linda DeScenna in 1982’s Blade Runner is still considered marvelous, so how do you top that in...
View ArticleNicholas Britell On The Champion Score For ‘Battle Of The Sexes’: “This Isn’t...
In quite a short time, Nicholas Britell has quickly established his voice as a film composer, breaking out with the score to the 2012 South by Southwest and Cannes film festival premiere Gimme the...
View ArticleEncore: ‘The Theory of Everything’ Composer Jóhann Jóhannsson’s Timeless...
Jóhann Jóhannsson, revered for such film scores as The Theory of Everything and Sicario, died in Berlin on Friday. As tributes arrive from friends, colleagues and admirers, Deadline presents this...
View ArticlePatty Jenkins On Delving Into ‘I Am The Night’; ‘Wonder Woman 1984’ & Why...
“The truth was being held in a bottle too tight, for too long,” says I Am the Night director and EP Patty Jenkins about the enigmatic story of teenager Fauna Hodel, whose search for her real mother in...
View Article‘Spider-Man: Far From Home’ Composer Michael Giacchino Leading 7th Annual...
EXCLUSIVE: The Musical Anatomy of a Superhero panel is making its way down to San Diego Comic-Con for the seventh year in a row, and the film composer symposium is not only upgrading from the Hilton...
View ArticleCast & Crew Furloughing “Significant Percentage” Of Employees; Cutting Top...
Cast & Crew, one of Hollywood’s leading payroll companies, said tonight that it’s furloughing “a significant percentage” of its employees, and is implementing salary reductions of 50% for executive...
View ArticleEmmy-Nominated Filmmaker Nicole Kassell On The “Fine Line To Dance” In...
The HBO limited series inspired by Alan Moore and Dave Gibbons’ DC graphic novel thrusts us into the 1921 Tulsa massacre, which is known as the single worst incident of racial violence in U.S history....
View Article‘Mank’: How Golden Globe-Nominated Composers Trent Reznor & Atticus Ross Went...
Netflix’s drama Mank led all Golden Globe feature nominations this morning with a count of six, and one of those belonged to composers Trent Reznor and Atticus Ross’ score for the David Fincher film....
View ArticleOscar Original Score Shortlist Hits Flat Note Despite Mix Of Esteemed...
The Academy Awards’ shortlists are a blessing and a curse. Blessing in that it truly helps awards strategists and publicists hone their efforts and marketing dollars toward a sampling of candidates in...
View Article‘Ma Rainey’s Black Bottom’: Branford Marsalis On Capturing The Sound &...
It is truly unfortunate that the Academy of Motion Picture Arts and Sciences has disqualified Branford Marsalis’ riveting original score for the Netflix feature adaptation of the August Wilson play Ma...
View Article‘Promising Young Woman’ Filmmaker Emerald Fennell On Why There Weren’t Any...
Spoiler Alert: This podcast contains details about the ending for Focus Features’ Promising Young Woman. On today’s Crew Call before Oscar nominations drop on Monday, March 15, we speak with Promising...
View Article‘Nobody’ Opening To No. 1 With ‘A-’ CinemaScore; Director Ilya Naishuller On...
Updated with Saturday AM B.O.: There’s a great axiom when it comes to success in Hollywood; a saying which remains true through good times and bad, even at a moment when streaming is stepping on...
View Article‘Falcon And The Winter Soldier’s Kari Skogland On Directing “Prescience” MCU...
While the U.S. Capitol January 6 riots shocked the world, they were equally jarring for the creative team behind Disney+/Marvel’s political action series The Falcon and the Winter Soldier. “It only...
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